Lighting & Compositing Artist

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Work Across Media

Film

Delivered Academy Award-winning visual effects for Spider-Man 2, with additional work on blockbusters including The Matrix Reloaded, The Matrix Revolutions, Superman Returns, and The Amazing Spider-Man 2.

Television

Work includes Emmy Award-winning visual effects for Star Trek: Deep Space Nine and lighting and compositing for the Emmy-nominated series Black Sails.

Gaming / Real-Time

Created cinematics for beloved franchises including World of Warcraft, Diablo, Overwatch, StarCraft, and Heroes of the Storm.

Résumé

Every role, the software I work in, and the teams I have led.

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I Am
Enrique
Muñoz

About Me

Lighting, look development, and compositing for feature visual effects, animation, and real-time game cinematics.

More about me

A red performance car photographed from above with the engine bay visible

A red performance car photographed beneath city overpasses on a wet street — Photos by Larry Chen and Jorge Nunez for Speedhunters.com and Super Street Magazine.

My Skillset

Expertise

Lighting

Hope you got sunglasses on...

Character and environment lighting, sequence continuity, atmosphere, exposure, and real-time or offline pipeline work.

Compositing

Build the final image.

Live-action and CG integration, stereo 3D, fully animated sequences, deep compositing, color, grain, and finishing.

Look Development

Surface, material, response.

Material and shader setup, texture painting, hero-asset development, and consistency across changing lighting conditions.

My Work

Featured Projects

Career

From Feature VFX to Real-Time Game Cinematics

Across Sony Pictures Imageworks, Walt Disney Animation, Blizzard, Digital Domain, DreamWorks, and Station X, from photoreal feature effects into animated features and real-time game cinematics.